- Billie eilish when we all fall asleep where do we go album series#
- Billie eilish when we all fall asleep where do we go album free#
Charlotte rapper DaBaby launched two new albums into the Top 50 - Baby on Baby (Number 18) and Kirk (Number 37) - while Polo G’s debut studio album Die a Legend landed at Number 80 but was named Number One in Rolling Stone‘s list of the Best Hip-Hop Albums of 2019. Other breakout artists in 2019 include Lil Nas X, whose debut EP 7 earned 769,400 units, and Lizzo, whose third studio album Cuz I Love You finished at Number 17. The soundtrack to A Star Is Born rounded out the Top Ten with 1.2 million units. In a year when most of the biggest rappers in the game didn’t release an album, that made room in the top 10 for hip-hop up-and-comers - A Boogie Wit da Hoodie’s Hoodie SZN came in at Number Eight with 1.3 million units- as well as two more albums from 2018: Drake’s double-album Scorpion in seventh, and Travis Scott’s Astroworld in ninth. Four of the Top Five albums of the year came out through Republic Records, and all five were put out by Universal Music Group.
Billie eilish when we all fall asleep where do we go album free#
Khalid’s sophomore effort Free Spirit comes in at Number Six, moving 1.4 million units. Post Malone the only artists to have two releases in the year-end Top Ten and three in the year-end Top 25. Taylor’s seventh studio album saw the biggest first-week numbers of the year, debuting with nearly 1 million units in late August thanks to a colossal, old-fashioned album push that included an Amazon Prime Day concert, a bundle for Capitol One members and deal with Target to sell four different deluxe versions of the album.įollowing Lover are back to back Post Malone records: Hollywood’s Bleeding comes in fourth with 2 million units, with his 2018 album Beerbongs & Bentleys following with 1.4 million units. Taylor Swift’s Lover came in fourth on the year-end tally, moving 2.1 million units, falling just 30,000 units behind thank u, next. However, Malone didn’t release his new album until September, giving thank u, next and When We All Fall Asleep, Where Do We Go? a months-long head start in the race to win year-end consumption. Malone came in third with Hollywood’s Bleeding, a streaming juggernaut that spent five weeks at Number One. The year-end Rolling Stone 200 Albums chart is based on a tracking period from January 4th, 2019, through January 2nd, 2020.Īriana Grande’s thank u, next finished second on the year-end RS 200 chart with 2.1 million album units. The chart does not include passive listening such as terrestrial radio or digital radio. Entries are ranked by album units, a number that combines digital and physical album sales, digital song sales, and audio streams using a custom weighting system.
The Rolling Stone 200 Albums chart tracks the most popular releases in the United States.
Eilish shipped out close to 113,000 LPs of When We All Fall Asleep, Where Do We Go? (Only Post Malone’s Hollywood’s Bleeding pulled in more.) But Eilish fans were also eager to own her debut in physical form - no album sold more vinyl copies in 2019. The majority of the album’s unit came from streams, with 2.3 billion on-demand audio streams throughout the year. Despite its humble roots - produced entirely with her brother Finneas in their family’s home in Highland Park - When We All Fall Asleep finished the year with 2.5 million total album-equivalent units in 2019, 400,000 more units than any other album.
Eilish’s debut album, When We All Fall Asleep, Where Do We Go?, finishes at Number One on the inaugural year-end Rolling Stone Top 200 Albums Chart. Since then, the Number One spot has primarily gone to members of music’s top 1 percent - the Drakes, Taylor Swifts, Ed Sheerans and Adeles.īut in 2019, teenager Billie Eilish shook up the status quo, often without raising her voice above a whisper.
Billie eilish when we all fall asleep where do we go album series#
In fact, the last time it happened was with 50 Cent’s 2003 album Get Rich Or Die Tryin’, which he released after a series of successful mixtapes. It’s not often that an artist’s debut album goes on to be the most commercially successful album of the year.